Here each panel is a variation on a theme. Two tiling patterns interact randomly in each panel. The black and white pattern stays in the plane of the side, while the red and yellow patterns either "sink" in or "bulge" out relative to the actual plane of the side. Once again the painting is continuous; what ends at the edge of a panel picks up on the corresponding edge of the contiguous panel; in all four dIrections.

I chose cherry for the frame because the finished wood would compliment the red and yellow paint. The peice could be hung from a chain, or could sit on a table or pedestal. I prefer the later, so that it could be flipped and rotated from time to time to change the view.

Acrylic on Masonite with Cherry Framing